Arte Chicano Images of a Community by Tomas Ybarrafrausto Text

Chicano and Chicana Art

A Disquisitional Anthology

Chicano and Chicana Art

Book

Pages: 552

Illustrations: 79 illustrations Published: February 2019

Editor(s): , C. Ondine Chavoya, Chon Noriega, Terezita Romo

Contributor(due south): Gloria Anzaldua, David Avalos, Judith F. Baca, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojorquez, Philip Brookman, Luz Calvo, Almaraz Carlos, Mel Casas, Barbara Chase-Riboud, Cornish, Audie, Karen Mary Davalos, Arlene Dávila, Rupert García, Alicia Gaspar de Alba, Sanchez Luján Gilbert, Shifra Goldman, Rita González, Guillermo Gómez-Peña, Judith Elena Hernández de Neikrug, Robb Hernández, Juan Felipe Herrera, Nancy Kelker, Kennicott, Philip, Josh Kun, Asta Kuusinen, Amalia Mesa-Bains, Dylan Miner, Raye Bemis Mitchell, Malaquias Montoya, Chon Noriega, Joseph Palis, Peter Plagens, Laura E. Pérez, Catherine S. Ramírez, Carmen Ramos, Matthew Reilly, Alex Rivera, James T. Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Cylena Simonds, Marcos Sánchez-Tranquilino, John Tagg, Roberto Tejada, Tomas Ybarra-Frausto, Rubén Trejo, Gabriela Valdivia, Victor Zamudio-Taylor, Jennifer A. González, Amelia Malagamba-Ansotegui, Jo-Anne Berelowitz, Raye Bemis, Juan Capistran, Richard A. Lou, Sandra de la Loza, Eileen Keiko Higa, Robert C. Buitron, Deborah Small, Salomon Huerta, Kathy Vargas, Mario Ybarra, George Vargas

Subjects
American Studies, Art and Visual Civilization > Art History, Chicanx and Latinx Studies

This anthology provides an overview of the history and theory of Chicano/a fine art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the evolution of Chicano/a fine art from its early on role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented book they address a number of themes, including the politics of edge life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also nautical chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop fine art and modernism—that have informed Chicano/a art'due south practice.

Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto "Magu" Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor

Praise

"A substantial volume, covering the literature of the movimiento during a period of approximately xl years. The scope offered is far beyond a survey, compiled by iv recognized authorities. . . . An impressive resource" — Clayton C. Kirking, ARLIS/NA Reviews

"This pioneering anthology fills a meaning gap in the complex history of Chicana/o fine art and visual culture. . . . this book is a required resource for educational activity and learning well-nigh Chicana/o art, especially as issues of identity, clearing, and inclusion go on to ignite intense fence and controversy in the United states of america. Highly recommended. Lower-division undergraduates through kinesthesia and professionals." — L. Estevez, Choice

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Open Access

Spring 2022 Sale

Author/Editor Bios Back to Top

Jennifer A. González is Professor of History of Fine art and Visual Culture at the University of California, Santa Cruz.

C. Ondine Chavoya is Professor of Art at Williams Higher.

Chon Noriega is Professor of Motion-picture show, Television, and Digital Media at the University of California, Los Angeles.

Terezita Romo is Program Officer at The San Francisco Foundation.

Tabular array of Contents Dorsum to Top

List of Illustrations  ix
Preface  thirteen
Acknowledgments  xv
Introduction / Jennifer A. González  1
Role I. Definitions and Debates
Introduction / Chon Noriega  xiii
1. Looking for Alternatives: Notes on Chicano Fine art, 1960-1990 / Philip Brookman 19
ii. Con Safo (C/S) Artists: A Contingency Factor / Mel Casas  30
3. El Arte de Chicano: "The Spirit of the Experience" / Gilbert Sanchez Luján  32
4. Notes on an Aesthetic Alternative / Carlos Almaraz  35
five. A Critical Perspective on the Land of Chicano Art / Malaquís Montoya and Lezlie Salkowitz-Montoya  37
vi. Response: Another Stance on the Land of Chicano Art / Shifra Yard. Goldman  45
seven. Mail service-Chicano / Rita Gonzalez  54
8. The New Chicano Moment / Josh Kun  58
9. Mail service-movimiento: The Contemporary (Re)Generation of Chicana/o Art / Tomás Ybarra-Frausto  66
Farther Reading  72
Part 2. Cultural Reclamation and Vernacular Traditions
Introduction / Terezita Romo  75
10. The Politics of Popular Art / Rupert García  81
11. Rasquachismo: A Chicano Sensibility / Tomás Ybarra-Frausto  85
12. Domesticana: The Sensibility of Chicana Rasquache / Amalia Mesa-Bains  91
thirteen. Chicano Humor in Art: For Whom the Taco Bell Tolls / Rubén Trejo  100
xiv. Points of Convergence: Iconography of the Chicano Affiche / Terezita Romo  104
15. Graffiti Is Art: Any Drawn Line That Speaks about Identity, Nobility, and Unity . . . That Line Is Art / Charles "Chaz" Bojórquez  117
16. Inventing Tradition, Negotiating Modernism: Chicano/a Fine art and the Pre-Columbian Past / Victor Zamudio-Taylor  123
17. Negotiated Frontiers: Gimmicky Chicano Photography / Jennifer A. González  135
18. Deus ex Machina: Tradition, Technology, and the Chicanafuturist Art of Marion C. Martinez / Catherine S. Ramírez  146
19. Celia Alvarez Muñoz: "Civic Studies" / Roberto Tejada  165
Further Reading  174
Part III. Bodily Aesthetics and Iconologies
Introduction / Jennifer A. González  177
20. Mel Casas: Redefining America / Nancy Kelker  183
21. Cartoon Offensive/Offensive Drawing: Toward a Theory of Mariconógraphy / Robb Hernández  194
22. The Pachuco's Flayed Hide: Mobility, Identity, and Buenas Garras / Marcos Sánchez-Tranquilino and John Tagg  208
23. Writing on the Social Torso: Dresses and Body Ornamentation in Contemporary Chicana Fine art / Laura A. Pérez  219
24. Ojo de la Diosa: Condign Divine in Delilah Montoya'due south Photography / Asta Kuusinen  237
25. Art Comes for the Archbishop: The Semiotics of Contemporary Chicana Feminism and the Work of Alma López / Luz Calvo  250
Further Reading  263
Office Four. Public Practices and Enacted Landscapes
Introduction / C. Ondine Chavoya  267
26. The Enacted Surround of East Los Angeles / James T. Rojas  271
27. Space, Ability, and Youth Culture: Mexican American Graffiti and Chicano Murals in East Los Angeles, 1972-1978 / Marcos Sánchez-Tranquilino  278
28. Pseudographic Cinema: Asco's No-Movies / C. Ondine Chavoya  292
29. Whose Monument Where? Public Fine art in a Many-Cultured Lodge / Judith F. Baca  304
30. La Memoria de Nuestra Tierra: Colorado / Judith F. Baca  310
31. The Donkey Cart Caper: Some Thoughts on Socially Conscious Fine art in Antisocial Public Space / David Avalos  314
32. Public Audit: An Interview with Elizabeth Sisco, Louis Hock, and David Avalos / Clyena Simonds  319
Further Reading  331
Part 5. Edge Visions and Immigration Politics
Introduction / Jennifer A. González  335
33. Border Arte: Nepantle, el Lugar de la Frontera / Gloria Anzaldúa  341
34. The Spaces of Home in Chicano and Latino Representations of the San Diego–Tijuana Borderlands (1968–2002) / Jo-Anne Berelowitz  351
35. Straddling la otra frontera: Inserting MiChicana/o Visual Culture into Chicana/o Art History / Dylan Miner  372
36. Borders, Edge Crossing, and Political Art in Northward Carolina / Gabriela Valdivia, Joseph Palis, and Matthew Reilly  394
37. Excerpts from Codex Espangliensis: From Columbus to the Edge Patrol / Enrique Chagoya, Guillermo Gómez-Peña, and Felicia Rice  402
38. 187 Reasons Why Mexicanos Can't Cross the Border (Remix) / Juan Felipe Herrera  406
Farther Reading  410
Part Vi. Institutional Frameworks and Critical Reception
Introduction / C. Ondine Chavoya  413
39. Los 4 / Peter Plagens  417
40. MARCH to an Artful of Revolution / Raye Bemis  420
41. Resisting Modernism: Chicano Fine art: Retro Progressive or Progressive Retro? / Ralph Rugoff  423
42. Our America at the Smithsonian / Philip Kennicott  427
43. Alex Rivera, Philip Kennicott Argue Washington Mail service Review of Our America / Philip Kennicott  430
44. What Do We Mean When We Talk about "Latino Art"? / Elizabeth Blair  434
45. Chicano Fine art: Looking Backward / Shifra G. Goldman  436
46. Readers' Forum Letter to the Editor in Response to Shifra Goldman's Exhibition Review / Judithe Elena Hernández de Neikrug  440
47. Readers' Forum Response to Judithe Hernandez'due south Letter to the Editor / Shifra M. Goldman  442
48. "All Roads Lead to East 50.A.," Goez Art Studios and Gallery  / Karen Mary Davalos  444
49. From CARA to CACA: The Multiple Anatomies of Chicano/a Fine art at the Turn of the New Century / Alicia Gaspar de Alba  455
fifty. On Museum Row: Aesthetics and the Politics of Exhibition / Chon Noriega  470
51. Strangeways Here We Come / Rita Gonzalez  484
Further Reading  495
Glossary  497
Contributors  501
Index  509
Acknowledgment of Copyrights  531

RightsDorsum to Top

Sales/Territorial Rights: World

Rights and licensing

Awards Dorsum to Top

Honored by ArtNews equally one of the Best Art Books of the Decade


Additional InformationBack to Top

Paper ISBN: 978-1-4780-0300-7

/ Cloth ISBN: 978-ane-4780-0187-4

Pinnacle

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Source: https://www.dukeupress.edu/chicano-and-chicana-art

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